9 年前
搜影视
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。弗兰奇（丹尼·戴尔 Danny Dyer 饰）是一个年轻的男孩，生活在伦敦南部混乱的犹太街区。他计划离开这个地方，逃到西班牙的东南部，在那里开始新的生活。他只带着一捆现金，装在他的行李箱里，没有其他财物。然后，他把钱交给了一个非常文雅的花花公子查理（塔梅尔·哈桑 Tamer Hassan 饰）。然而，这一举动却彻底改变了弗兰奇的人生。 弗兰奇很快成为了犯罪帮派中的一员，并陷入了奢华和暴力的犯罪世界之中。在这个新的组织里，弗兰奇面对着许多危险和挑战。他逐渐了解到犯罪世界的残酷性和复杂性，同时也体验到暴力和背叛的阴暗面。他努力适应这个新环境，不断证明自己的忠诚和勇气，同时也试图保护自己和他爱的人。。A criminal mastermind responsible for a failed robbery and an accidental petty conman meet inside a prison carriage. Soon they are both going to hear the court verdict.。
