24 年前
搜影视
混迹于大城市的二流魔术师查小丁，因搞砸了一次现场表演被老板开除，心灰意冷后开着自己的道具车，前往2000公里外的老家，参加老妈为他组织的相亲。美女自由画家黎明朗遭到男友背叛，断然和他分手决裂，并负债赎回被男友偷偷变卖的母亲留给她的戒指。在这个节骨眼上，她计划已久的写生之旅又即将启程，面对突如其来的变故，黎明朗答应了电视节目制作人歆瑶（好闺蜜）的邀约，准备在写生的途中来一场开放式的真人秀，同时赢得丰厚的奖金。
旅途目的地相同，查小丁和黎明朗意外组成CP，可岂能料到两人因为各怀心事，自从约车开始便是各种互怼，全程导致麻烦不断……他们能否完成这场看似随意但却充满各种未知的迷之旅程呢？。Made during confinement, “In My Room” plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director’s deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.。1970年是法斯賓達的電影人生中最多產的一年，單是劇情長片便拍了不下六部風格、類型、題材等皆各異的作品，而黑色喜劇《小心聖妓》便是其一。但對影迷來說，也許更重要的是此片乃法斯賓達自認最好的個人作品。雖然影片的名字像極與妓女有關，不過故事內容卻是另一回事。它主要講述一群苦候拍攝電影的人，因導演失蹤、器材不見，唯有在冠冕堂皇的西班牙酒店內有如行屍走肉四處飄浮，直至導演出現，大家才抖擻精神。怎料導演忙於拍攝之餘，更要落力應付各方滋事份子，令他疲於奔命，最後他還要面對巨大的財政壓力，而各位演員也開始鼓譟起來．．．此片無疑可說是導演的個人寫照，透過自嘲、黑色幽默等手法諷刺片場如地獄，不過更值得注意的是此片的混雜風格，既承接他早期的劇場化敘事，亦開其日後的通俗劇形式，可說是法斯賓達電影創作上的重要過渡作品。
1970 was the most prolific year for Fassbinder, he made six features of different style, genre and theme, and Beware of a Holy Whore was the director's personal favourite. Despite its title the film has absolute nothing to do with prostitution. With the director and equipment missing, a group of actors and crew can do nothing but to wait aimlessly inside a posh Spanish hotel. The director finally appears, but he is soon entangled with the trouble makers on the set and pressure from his financers| not before long, the actors are starting to get riotous…A black comedy and a satire of the movie set being "hell", a self-mockery on the perils of being a director. An important work where Fassbinder was making a transition from his early Brechtian style to more conventional narrative.
Source: 世界電影經典回顧 2006 節目二 - 德國電影新浪潮。
