9 年前
搜影视
Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date.
The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer.
The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。昔話に説教、趣味の講釈、病気自慢。そうかと思えば、無気力、そしてクレーマー。 老害をまき散らす老人たちと、それにうんざりして「頼むからどこかへ行ってくれ」とさえ思う若年層。でも、口には出せない。 老害側にいくら言い分があろうと、若年層はストレスをためるばかりだ。 それなのに「終活」は早いうちから考え始めた方がよいと世間は煽る。 若年層のはずの50代、いや60に手が届く子供世代は得体のしれない焦りを感じている。 その子供たちも複雑な事情や心情を抱える。 一方の老害側も感じている。老人を婉曲に別枠に入れる世間の風を。 そして、人生百年と言われても、一体どう生きたらいいのか…と。 埼玉県川越の近くの街に住む一家を中心に、会社を娘の夫に譲った筈の戸山福太郎と、近所の老人5名=老害五重奏がコロナ禍に巻き起こす騒動と、家族たちの群像活劇。 双方の本音がぶつかった...。某公司年轻社长天野(柄本佑 饰)在下属(森下じんせい 饰)的陪同下视察某港湾基地,他的父亲早就有吞并该港湾的雄心,如今随着“美丽新湾计划”的启动,天野的公司积极备战,势在必得。只不过这位新任社长显然缺乏干劲,虽然被下属誉为处在公司中央位置的最大最重要的齿轮,但他也没有任何的自豪感。视察当天,天野的注意力被一个名叫古川高子(三田真央 饰)所吸引。此后的日子里,他时常借故跑出公司,来到港湾工地,试图接近高子赢得对方的好感。他自以为是、自高自大的做法引来高子的不快,而天野的突然之举也引发了连番的混乱……
本片为“美好2013:大师微电影”系列中的一部。。