21 年前
搜影视
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。Joe（房祖名饰）与阿花（薛凯琪饰）是一对相亲相爱的快乐小情侣，但是因一些微不足道的原因，Joe最终被女友踢出局。这个伤心的21岁男孩决定自杀，却在给亲友发电邮留遗书时发现一个奇怪的分手网站。该网站的法则是：只要Joe能够拆算其他情侣，他就可以跟自己的女友复合。 正值此时，香港电影人黄真真和郑丹瑞筹拍一部爱情电影，他们向社会征集青年男女们的爱情故事，Joe也应征前往。黄真真对Joe分手后的经历非常感兴趣，于是拿出一部DV，请Joe将挽回女友的全过程拍下来。好友Sunny（邓健泓饰）为了Joe勇于献身，在拆散Sunny及其女友后，阿花竟真地回到Joe的身边……。
