23 年前
搜影视
NOIR 将您带回30年代、40年代和50年代的黑白电影时代。这是纽约市，一个聚光灯照亮了坐在他办公桌前的侦探，当他点燃香烟时，雾气在他的脚下盘旋，爵士音乐在四周回荡，欢迎来到 NOIR 的世界。Veronica Smart 是一位美丽的40岁女性，与丈夫 Cliff 结婚16年，一直想当明星，现在她厌倦了婚姻，想退出。在她工作的当地学校遇到一群青少年，启动了一项计划，其中包括诱惑、激情、谎言、操纵和谋杀。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date.
The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer.
The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。
