7 年前
搜影视
东北抗日联军长达十四年的抗日战争史同红军长征史、南方八省红军游击队三年游击战争史一样，是我党我军历史上最艰苦卓绝的篇章。在漫长的岁月里，中国共产党创建的抗日联军，身处没有后方支援、粮弹两无，又与中共中央联络中断的情况下，以草根树皮为食，以林海雪原为家，以日寇之衣为衣、以日寇之枪为枪抗战不已，纵横驰骋，大起大落，大悲大喜，用鲜血和生命谱写了一段可歌可泣、波澜壮阔、地域特色浓郁独特的故事。十四年中、东北抗联击毙日伪军十余万人、沉重地打击了侵略者，牵制住数十万日军精锐部队不能南下，有利地支援了全国抗战。全剧主要描写了罗登贤、杨靖宇、赵尚志、李兆麟、魏拯民、冯仲云、汪雅臣等东北抗联各部队的杰出将领，表现了在那个年代里中华民族英雄的群像。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。